Showing posts with label hopscotch. Show all posts
Showing posts with label hopscotch. Show all posts

Tuesday, September 14, 2021

Photos from Hopscotch, 2021

 

Hopscotch 2021 was pared down and definitely surreal, but it sure felt good to get out and hear some live music again. As always, I saw a lot of old favorites, discovered some new ones, and generally had an amazing time. See more photos and video on my Instagram account, which is where I hang out these days. 

Hannah Jadagu, City Plaza

Hannah Jadagu, City Plaza

Stephen's Pharmacy, Crank Arm Brewing

Stephen's Pharmacy, Crank Arm Brewing

Gouge Wrestling, Ruby Deluxe



Gouge Wrestling, Ruby Deluxe

Kate Rhudy, Moore Square

Secret Shame, Boxcar Arcade



Shannon and the Clams, Moore Square

Sarah Shook and the Disarmers, Moore Square



Friday, September 15, 2017

Photos from Hopscotch 2017







 













I did a little less Hopscotching this year than in years past, but still saw quite a few good shows. Asheville's Bask released one of my favorite albums this year, so I was looking forward to finally seeing them live. They more than exceeded expectations, as did Pallbearer, whom I haven't seen since Hopscotch 2012. Best surprise of the weekend was King Woman. I admit I wasn't taken with their latest release, but the live antics of singer Kristina Esfandiari made for an enthralling show. 


Thursday, August 16, 2012

2012 Mann's World Day Party


This isn't exactly news, but I believe it's the first time I've posted it here (I'm breaking more news on Twitter than here now). The third annual Mann's World Day Party during Hopscotch will take place Saturday, Sept. 8, at Dive Bar in Raleigh. Once again this is a free show with three great bands: Caltrop (Chapel Hill), Earthling (Harrisonburg, Va.) and Salvacion (Wilmington). Here's the Facebook page for the event. Doors are at 1:30 p.m. Come on out and drink some beer and support three great bands! Hope to see you there!

Sunday, September 12, 2010

Hopscotch Night 3!


In the Year of the Pig at Berkeley. Dave and Biz have similar expressions on their faces. After my party, a gang of us went to El Rodeo, then kept it fairly low key the rest of the evening. 






I was VERY glad to see an actual full set from U.S. Christmas. They did not disappoint. 





Finally there was Dungen, which was the most packed show I attended all weekend (once again the VIP pass came in handy). Worked my way to the front, where unfortunately my camera's memory card AGAIN went out, so this is only a partial video. Originally I planned to go back to the Berkeley to see Kylessa or over to Slim's to see Pontiak, but I was just too drained after the weekend's festivities. I called it a night after Dungen.



Hopscotch Day Parties, Day 3: Mann's World Party and Local Time



Many thanks to everyone who came out to my day party yesterday at Kings! The bands sounded awesome, and we had a good crowd. Thanks to all the bands who played, thanks to Patrick from Death Came Down the Mountain who actually flew in from Portland for the show, thanks to Kings for letting me hold it at the club, and thanks to Kaci from Pabst Blue Ribbon who came out and gave out some cool goodies, including bike bells, T-shirts and headbands. We got started a little late, but we had fun. 

Hog was the first band. 












Before my show I caught Flute Flies at the Raleigh Times Local Time party.


Hopscotch Night 2!






Whatever Brains at the Berkeley. The eagle was apparently a salute to the Enloe Eagles. It was extra fun when he jumped into the pit during Harvey Milk. 









Bowerbirds at Pour House. VIP pass definitely came in handy AGAIN for this show.

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F'ed Up at the Berkeley. For my money the best show of the entire night, and probably the second best (after Dungen) of the entire festival. There's a similar picture of me and singer Damian Abraham somewhere out there. The photographer got my e-mail address but so far hasn't sent it to me. If you know the folks in this photo, please pass this on to them.




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Saturday, September 11, 2010

Hopscotch Day Parties, Day 2!



Megafaun at the Pour House. New CD was for sale. Maybe they'll have it tonight at Kings too.

























Pinche Gringo at Slim's. Last time I saw him, it was Pinche himself, and he was great. His female sidekick, and her awesome voice, made it even better. 





All Tiny Creatures at Pour House

Friday, September 10, 2010

Hopscotch Night 1: More videos!


Ear Pwr at the Berkeley













Max Indian (last show) at Lincoln Theatre. Carter's outfit was very 1965 JV basketball coach. 







Birds of Avalon at Pour House. First time seeing them since Craig's departure. I like the fact that they're all singing now and didn't hire another lead singer. 




And Best Coast at Pour House. Too crowded to get a good photo. Definitely the buzz band of the night. My VIP wristband came in handy!

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Hopscotch Night 1: Cannabis Corpse





The Mac is choking on having to upload seven videos at once, so I'm going to put up this one, head downtown for some day shows, then finish up this evening. Right now it's telling me that the Birds of Avalon video will take another seven hours to upload, so you may not see that one until tomorrow. 

Richmond's Cannabis Corpse at Slim's was my final stop of the night. I didn't know a whole lot about them, but I mostly trust Hank's opinion (he curated the show), and I had read this hilarious interview with singer Andy Horn on Invisible Oranges. They did not disappoint. I think I got a contact buzz just listening to them. Last show of the night, and the best in my opinion. Planning to download some of their stuff today, and will definitely check them out again.

 But wouldn't you know, my memory card ran out midway through recording their first song. Here's that partial video, plus some photos I got on my phone. These were ones I took just messing around with the Retro Camera app, and believe it or not, they came out better than the regular phone cam photos! 


Thursday, September 09, 2010

Quickie update from Wednesday's pre-Hopscotch party


Trying to get out the door for night one of Hopscotch (1st stop: the VIP party at Sheraton) but wanted to put up some videos and photos from last night. Here's the lowdown: Caught a good bit of Valient Thorr (had to work today) who were totally on it, thought Howl were amazing, and ended up liking Junius, even if they had to grow on me a bit. Will update these videos with details later. I like how I managed to only get Valient Himself in the above photo. Looks like he's rockin all by himself onstage. I was very glad for Junius' dramatic stage lighting because it made it easier to take photos of them.


See more photos here.

Wednesday, September 08, 2010

Covering the shows

OK, I'll be tweeting from the shows, starting tonight with Valient Thorr and Howl at Kings, then posting photos and video the next day. I haven't used the Incredible's video feature, so I might try it tonight. So far haven't been impressed with the camera, but I will try to post a few photos anyway. Follow me on Twitter here! See you out tonight!

Monday, August 30, 2010

Lineup change for the Mann's World party!

I am terribly sad and disappointed to announce that Caltrop will be unable to play the Mann's World Day Party at Kings on Sept. 11 because drummer John Crouch broke his hand! Best wishes and a speedy recovery to John. I'm bummed that they won't be able to play, but not nearly as bummed as I'm sure he is about breaking his hand.

Thankfully, the totally awesome Death Came Down the Mountain has agreed to step in at short notice. This is still going to be an amazing show, and I hope to see you all there soon! The digital poster will be updated, and hopefully I can get some new ones out around town.

Thursday, August 19, 2010

... and another day party to report!

This from Chris Tamplin at Tir na Nog. When he says "This Friday" he means Sept. 10:

Hopscotch weekend brings us the chance to party all day without needing an excuse! We are doing a day party at the nOg this Friday with five great NC bands! New Raleigh and Aviator Brewing are sponsoring the party as well ans we are throwing a twist in it. We also be doing a Local Record Label rock n shop event where the each label will have a table set up selling artists from their respective labels. The show is free so it should give you a chance to buy some killer music. The show goes as follows

12:45- Cellar Seas
1:30- Veelee
2:15- Filthy Bird
3:00- Temperance League
3:45- A Rooster For The Masses.

Check out the Hopscotch Speakers' Series!

Yet more interesting stuff from Hopscotch. The fest and Edward McKay Books are sponsoring an author series, taking place the afternoons of Sept. 9-11 at Raleigh City Museum. Check it out:


Partnering with local staples Edward McKay Used Books and Raleigh City Museum, Hopscotch Music Festival proudly announces its Edward McKay Artist & Author Series, featuring discussions with Grammy winners, Grammy nominees, bandleaders and some of the best music critics in the country.
During three late afternoon sessions on Sept. 9, 10 and 11, musicians like Andrew Whiteman of Broken Social Scene and Apostle of Hustle and hip-hop producer 9th Wonder will talk about music’s cultural and social impacts with critics and authors like Spin and Village Voice writer Christopher R. Weingarten and acclaimed author and Duke University professor Mark Anthony Neal. Other guests include Dolph Ramseur of Ramseur Records, Phil Cook of Megafaun and Charlie Smarts of Kooley High, with more panelists to be added as Hopscotch Music Festival approaches.
“Writing about music often feels like such a vacuum. It’s someone tucked behind a keyboard with their thoughts and their headphones, ultimately sending some message out into the world,” says Independent Weekly Music Editor and Hopscotch Curator Grayson Currin about the series. “My goal with this series is to break that vacuum by putting artists and their analysts in the same room and letting them talk about inspirations and ideas.”
Each discussion is free and open to the public, though seating capacity inside Raleigh City Museum is extremely limited. Early arrival is recommended. Tickets for Hopscotch Music Festival—Thursday, Sept. 9–Saturday, Sept. 11 in 10 downtown Raleigh venues—are still available in very limited numbers atwww.hopscotchmusicfest.com.


ABOUT THE PANELS
THURSDAY, SEPT. 9 (Free/ 5–7 p.m.)
North Carolina’s Musical Heritage: Past, Present and Future

From the old-time music and bluegrass that’s moved from the state’s mountains to the litany of jazz and soul icons that have called North Carolina home, this state has a tradition of fostering musical innovators. Several careful students of those lineages will gather to discuss the state’s musical past, how it’s being preserved, and why it has such an important influence on the music being made here now.
The speakers include Durham’s PHIL COOK of Megafaun, a band that blends folk sounds of the past with adventurous experimentation; Concord’s DOLPH RAMSEUR of Ramseur Records, who has helped turn both The Avett Brothers and Carolina Chocolate Drops into international emissaries for the sounds of North Carolina; Raleigh’s MARSHALL WYATT of Old Hat Records, a Grammy-nominated, Bob Dylan-approved label that collects historic recordings and curates them into rich compilations; and Chapel Hill’s AARON SMITHERS, who has traveled the state recording under-documented artists. Hopscotch Curator and Independent Weekly Music Editor GRAYSON CURRIN will moderate the discussion. Cook will also perform as his one-man band, PHIL COOK & HIS FEAT, to begin the discussion.

FRIDAY, SEPT. 10 (Free/ 4–6 p.m.)
Black Mountain College: Legacy and Inspiration

Andrew Whiteman writes, sings and plays guitar in the Canadian bands Broken Social Scene and Apostle of Hustle. Not long after Broken Social Scene confirmed their co-headlining Hopscotch set, Whiteman approached festival organizers about an event that would honor Black Mountain College, the influential interdisciplinary school that opened in western North Carolina in 1933. Whiteman will read his own poetry, as well as that of several Black Mountain acolytes, and discuss the school’s importance with a panel of local poets.
The speakers include Toronto’s ANDREW WHITEMAN, a Broken Social Scene staple who will read from his forthcoming book, Tourism; Durham’s KEN RUMBLE, an installation artist, musician and the author of Key Bridge (Carolina Wren Press, 2007); Durham’s MEG STEIN, an installation artist and musician working and playing in the 715 Washington art collective, along with Rumble; Durham’s CHRIS VITIELLO, a poet and artist and the author of Irresponsibility(Ahsahta Press, 2008); and Raleigh’s CHRIS TONELLI, a professor at N.C. State University, the author of four chapbooks and the founder of the So and So Series. Pitchfork Media Critic and Paste Senior Contributing Editor BRIAN HOWE, an accomplished poet himself, will moderate the discussion. Rumble, Stein and Vitiello will also present a performance inspired by the Black Mountain College happenings of John Cage and Robert Rauschenberg at the start of the event.


SATURDAY, SEPT. 11 (Free/ 4–6 p.m.)
Hip-Hop Planet: Music and Its Work in the World

When people talk about the political importance and immediacy of hip-hop, perhaps no group gets mentioned more than Public Enemy, and perhaps no records more than their It Takes a Nation of Millions to Hold Us Back and Fear of a Black Planet. With Public Enemy headlining Hopscotch Saturday night, we decided to talk about the social impact that hip-hop has historically had and if that role might be changing.
The speakers include Durham’s 9TH WONDER, the Little Brother cofounder and Grammy winner who has gone on to make music with Jay-Z, Destiny’s Child, David Banner and Murs; New York’s CHRISTOPHER R. WEINGARTEN, “the last rock critic standing” and a scribe for Village Voice,SpinRolling Stone and the author of a new book on Public Enemy; Durham’sMARK ANTHONY NEAL, a Professor of Black Popular Culture at Duke University and the author of several books on music and culture; and Raleigh’sCHARLIE SMARTS, a member of the exuberant, emerging hip-hop crew Kooley High. Hopscotch Director GREG LOWENHAGEN and CuratorGRAYSON CURRIN will moderate the discussion. Weingarten will spin his tribute set to It Takes a Nation of Millions to Hold Us Back before the discussion begins.

Wednesday, August 11, 2010

An interview with Eddie Taylor for the Churchkey Three Day Party

The free day party action at Hopscotch is going to be almost as good as the main event. Case in point: The Churchkey Three Day Party taking place at noon on Saturday (Sept. 11) at Tir na Nog. The name is a celebration of this indie label's third anniversary, and the line-up is a great one: Dirty Little Heaters, Free Electric State, Last Year's Men, The Dry Heathens and Hammer No More the Fingers. To get everyone in the mood for the party, various local blogs are posting interviews with bands on the Churchkey roster over the next few weeks.

I chose to interview Eddie Taylor from The Loners because I've known him for ages, and think he's a great musician and all-around swell guy. I can't tell you how much fun I had during this interview.

This interview began and ended -- and was briefly punctuated in the middle -- with a round of shots. That’s how yours truly found out that Eddie really isn’t one for tequila or Jaeger. If he’s going to do a shot, which isn’t often, he says, he’d prefer to do something “girly” like a Lemondrop. That was the one in the middle.

I also found out that Eddie, one of the friendliest and most gregarious people I know, doesn’t much like talking about himself. In fact, he’s downright shy at times. Sitting in a dark booth at the newly opened Neptunes, with ska in the background, we downed that first round of 1800, and I tweeted that I was about to interview him. The Love Language immediately replied “tell eddie we said hey!!” He seemed flattered and almost a little embarrassed that his name was being thrown about on Twitter. That’s the sort of thing associated with rock stars, or people who think they’re rock stars, and Eddie definitely doesn’t want to be a rock star.

“I don't like rock stars,” he says. “I don't like seeing friend get changed into something they aren't. I like them the way they were. I have a friend who did a video game. He's making bank. I've had a lot of friends who have become real successful, and they're not the same as they were after that.”

Really? Even if being a rock star meant that he, as a newly single dad, would have women throwing themselves at him, plus a nice nest egg for his daughter?

“It's an integrity factor that gets lost in all that,” he says. “There are very few that hold on to that integrity. Neil Young has always held on to that integrity. There's a lot of people I respect that have been able to granted they're great, they're famous, but they haven't lost touch with where they came from.”

He doesn’t even care that much about playing anywhere other than the Triangle.

“I'd like to go out and play more in other places but I can't dump money into that, get to that town and play for five people who don't really give a fuck,” he says. “I just can't do that, cause I've done it. If someone offers us something in New York, and have a weekend in New York and go play at WFMU, I'm there. But playing to nobody? I can practice and do that!“

Despite, or perhaps because of, this total lack of giving a damn, The Loners have gained a reputation around town as the band that you don’t miss. If you want people to come out and see your band, you make sure to get a show with The Loners. It doesn’t really matter if they play Slim’s three times in the same week. People will go see them, and will love them, all three times. That’s been especially true since they reformed in 2007 (at the goodbye party for the first Kings) after breaking up for several years. During their first incarnation, they were known for putting on shows that might be great and might be crap, but were always entertaining. Now they’re solid every single time.

The Loners formed out of the ashes of Big Joe, Eddie’s alt-country band that moved to Raleigh from Tucson (via Kentucky) after being invited to play the SPITTLE Fest at the Brewery. He struck up a friendship with popular local drummer Chris Jones, who shared his love of ‘60s garage and psychedelic music as well as ‘80s hardcore.

“Chris Jones is one of my heroes,” he says. “I have the utmost respect for that person. I like the fact that I've heard us referred to as a Raleigh tradition. That's a nice feeling. we're not a national act. we don't tour. we are what we are.

The band’s sound has changed a little bit over time, he says, but still retains those two influences, but still retains a healthy dose of ‘70s punk and arena rock. That’s fitting because his first concert, back in Murray, Ken., was Rush, Angel and Blue Oyster Cult. He was 15 and tripping his balls off. His main memories are that he accidentally ripped up his own ticket, and the members of Rush wore silk outfits and appeared to over over a massive shag carpet on the stage.

Eddie says he’s had more time to write lately and that he’s been listening to a lot of Guided by Voices. One of his old pals has an “Eraserhead-meets-’50s-Sci Fi” film that will debut at the Fright Night festival in Louisville, and a couple of Loners songs are in the movie. There are a couple of other things in the works too, but he doesn’t want to jinx them by talking about them prematurely. Buy him a Lemondrop and maybe he’ll spill his guts to you.

Take a look at the other interviews:

July 28: Diversions (The Daily Tar Heel) talks with The Dirty Little Heaters
August 4: WNnG (Bull City Records) talks with Hammer No More The Fingers
August 11: Mann’s World talks with The Loners
August 18: Triangle Music talks with Last Year’s Men
August 25: Recess (The Chronicle) talks with Spider Bags
September 1: The Independent Weekly talks with The Dry Heathens
September 8: On The Beat (The News & Observer) talks with Free Electric State

Monday, August 09, 2010

Check out the Mann's World day party poster!

Thanks to the very talented Ashlea Green for designing the poster for the Mann's World Day Party! Please also note that start time is now 1 p.m., and the line up on the poster is the line up for the show. Make sure you get there early because you do NOT want to miss Hog!

Friday, July 30, 2010

Announcing: The Mann's World Hopscotch Day Party!


On Saturday, Sept. 11, yours truly will present a Hopscotch day party at Kings with four of my favorite heavy local bands! This is going to be a free show, and will take place during the afternoon (start time isn't set, but it will definitely be done by 5:30 p.m. so you can go catch Public Enemy and the Love Language).

I'm proud to announce that the line up will consist of two of my long-time favorites: Black Skies (above) and Caltrop;  plus two bands that have recently blown me away: MAKE and Hog. In fact I'm so impressed with MAKE that I put them on this bill without ever having seen them live. They're that good.

This is a FREE show, and will be a good appetizer for the amazing Hopscotch show to happen at the Berkeley (U.S. Christmas, Kylessa, Weedeater, In the Year of the Pig) and the Pour House (Dungen) that evening. I should also note that this is not an official Hopscotch event, but that Grayson and Greg have been very cool about helping those of us (including Trekky Records, Churchkey and 307 Knox) who are putting on day shows.

I am really excited about this show and hope you all can make it -- and since it's a free show, I hope you drink lots of beer and buy lots of merchandise to make it worthwhile for Kings and the bands.

See you there!

Wednesday, May 19, 2010

Dungen, Bowerbirds, Raekwon added to Hopscotch lineup!


The organizers of Hopscotch have released the second batch of band additions for the September festival, and it's a great one. When Grayson sent out the word, I wrote back and told him he had seriously made my day by adding Swedish psychedelists Dungen (above) to the bill. He wrote back and told me to make sure and tell all of you that. So, there you go. My day has been made.

A few more locals made the bill too: Bellafea, In the Year of the Pig and Bright Young Things.

Here's the full list of additions:
Actual Proof, The Away Team, Bellafea, Big Remo, Bright Young Things, Dungen, Floating Action, In the Year of the Pig, Kaze, K-Hill, Locrian, Raekwon, Rapsody, The Remix Project, Skyzoo, Tyler Woods, Woods 

Raekwon will join Grammy-winning producer 9th Wonder of Durham Friday, Sept. 10, at Lincoln Theatre for a showcase curated by 9th Wonder. Nearly a dozen local groups will join that bill, including Actual Proof, The Away Team, Big Remo, Kaze, K-Hill, Rapsody, The Remix Project, Skyzoo and Tyler Woods. 

Also, if you are on the fence about going to this festival, or just too lazy to have gotten your ticket, you'd better get a move on. Grayson also told me that club tickets are moving fast, and probably won't last through June. 

Wednesday, April 07, 2010

Ear Farm interviews Grayson on Hopscotch

One of my favorite music blogs, Ear Farm (which is run by former Raleighite Matt Tyson) has an interview with Grayson all about the Hopscotch fest. Read it here!

Wednesday, March 31, 2010

Hopscotch details and lineup announced!



This is directly from the press release, because every bit of it is good. Excellent lineup of local and national acts, including Public Enemy, so you will want to be there. Pertinent info for you: Tickets go on sale TOMORROW!



HOPSCOTCH MUSIC FESTIVAL BRINGS 120 BANDS TO DOWNTOWN RALEIGH SEPT. 9-11, 2010


Public Enemy, Panda Bear, Broken Social Scene to headline

The Independent Weekly proudly announces the Hopscotch Music Festival, the Triangle’s biggest music festival yet and a strong addition to the country’s festival circuit. Scheduled for Sept. 9-11, 2010, in downtown Raleigh, with 120 bands in 10 venues over three days, Hopscotch offers fans high-quality local, national and international options in just about every genre you can imagine—rock, hip-hop, alt-country, heavy metal, dance, punk, classical, noise, drone, folk and more. Tickets go on sale Thursday, April 1, at www.etix.com and www.hopscotchmusicfest.com.


The festival will be headlined by two nights in Raleigh City Plaza, downtown’s crown jewel, which opened last fall. Indie rock giants PANDA BEAR and BROKEN SOCIAL SCENE will headline Friday, Sept. 10, with support from Triangle favorites THE ROSEBUDS. Hip-hop’s most legendary group, PUBLIC ENEMY, will headline with a rare full-band set on Saturday, Sept. 11. Los Angeles trio NO AGE and Raleigh’s THE LOVE LANGUAGE will open. More than 110 bands will be spread between nine clubs throughout the festival’s three days. A sample of those bands includes: Washed Out, Tortoise, Lucero, 9th Wonder, Akron/Family, Marissa Nadler, Harvey Milk, Fucked Up, Javelin, Richard Buckner, Megafaun, Kylesa, Atlas Sound, Harlem and Bear in Heaven.


Carefully assembled by Hopscotch Director Greg Lowenhagen and Curator and Independent Weekly Music Editor Grayson Currin, the lineup spotlights the core of the Triangle’s rich music scene by putting it on the same stages as some of the world’s best bands.


“Several music festivals in the Triangle make it clear how strong the talent in North Carolina is, and they do it better and better each year,” Currin says. “We don’t want to replace that. Rather, we want to expand on it by showing that this area has the caliber of bands and listeners that can support a big music festival.”
Lowenhagen hatched the idea for Hopscotch after moving to Raleigh following stints in Austin and Chicago, cities known for their support of live music festivals. He was surprised that no events in the Triangle regularly brought in a fleet of bands from outside of town.


“When I returned from being away, I realized the Triangle, with its strong music heritage and abundance of local talent, seemed ready for a different, more nationally recognizable festival to call its own,” he says.
After being hired as an account executive at the Independent Weekly, he approached owner Steve Schewel and publisher Sioux Watson with his idea to start such a festival. They liked the plan. And why not?
“It’s a financial risk, for sure, but we’re thrilled to be doing it,” says Schewel, who founded the Independent Weekly in 1983. “Hundreds of musicians from all over the country, thousands of fans flooding the bars and restaurants downtown, everybody riding the R-Line, gorgeous fall evenings of music in City Plaza in the shadow of the skyscrapers: The Triangle has been thirsting for a big-bang urban music festival, and that’s why—after 26 years of writing about music in our community—the Independent is bringing Hopscotch to town.”


TICKETS
Admission for Hopscotch Music Festival is designed to suit a wide range of fans. Individual tickets for the shows in Raleigh City Plaza—on Friday, Sept. 10, featuring Panda Bear, Broken Social Scene and The Rosebuds; on Saturday, Sept. 11, featuring Public Enemy, No Age and The Love Language—cost $30 each. For $45, fans can buy a wristband that allows entry into all nine festival clubs for all three days. A limited number of $85 wristbands gain fans admission to both City Plaza shows and all clubs, saving $20 off of face value. A very limited number of $120 VIP wristbands are available. Those wristbands include skip-the-line access to all shows and a VIP festival kickoff party on Thursday, Sept. 9.


In cooperation with cosponsor etix.com, Hopscotch Music Festival is offering wristbands and tickets to all fans with reduced service charges. To purchase tickets and wristbands, visitwww.hopscotchmusicfest.com or www.etix.com.

LINEUP
9th Wonder & Friends, Active Child, All Tiny Creatures, American Aquarium, Americans in France, Atlas Sound, Balmorhea, Bear in Heaven, Best Coast, Birds of Avalon, Black Congo NC, DJ George Brazil, Broken Social Scene, Brutal Knights, Richard Buckner, Burning Star Core, Cannabis Corpse, Caitlin Cary’s Small Ponds with Tres Chicas, Collections of Colonies of Bees, Cults, Greg Davis, Double Dagger, Double Negative, The Dynamite Brothers, EAR PWR, ExMonkeys, First Rate People, Followed by Static, Ben Frost, Fucked Up, Future Islands, Golden Boys, The Golden Filter, Goner, Gray Young, Ryan Gustafson, Hammer No More the Fingers, Harlem, Harvey Milk, Horseback, John Howie Jr. & The Rosewood Bluff, I Was Totally Destroying It, Javelin, Jeb Bishop Trio, Juan Huevos, Kill the Noise, The Kingsbury Manx, Kooley High, Kylesa, The Light Pines, Lonnie Walker, The Love Language, Lucero, Luego, Max Indian, Erin McKeown, Megafaun, Midtown Dickens, The Moaners, The Monologue Bombs, Motor Skills, Mountains, Jon Mueller, Marissa Nadler, No Age, Ocean, Old Bricks, Panda Bear, Pattern Is Movement, Pictureplane, Plague, Pontiak, Public Enemy, The Rosebuds, Schooner, Sightings, spcl gst, Spider Bags, Thien, Tigercity, Tortoise, Treasure Fingers, US Christmas, Sharon Van Etten, Veelee, Vincent Black Shadow, War on Drugs, Washed Out, Weedeater, Whatever Brains, Keith Fullerton Whitman, Yip-Yip … MORE COMING APRIL 12TH

SPECIAL HOPSCOTCH FEATURES
EXCLUSIVE BOOKINGS: Panda Bear, of Animal Collective, is scheduled to play two American shows so far this year: He’ll take one of the top spots at this year’s Pitchfork Music Festival in Chicago, Ill., and he’ll play Hopscotch Music Festival.


Two years ago, while doing an interview in a Brooklyn pizza parlor, Damian “Pink Eyes” Abraham of the reigning hardcore greats Fucked Up told Hopscotch Curator Grayson Currin he wanted to come to North Carolina and play with Raleigh’s Double Negative. On Friday, Sept. 10, they’ll finally appear together at The Berkeley Cafe.


BAND-CURATED BILLS: Hopscotch Music Festival asked five Triangle bands—Future Islands, Caitlin Cary’s Small Ponds, Juan Huevos, ExMonkeys and Plague—to curate their own shows as part of our Band’s Bands Series. Future Islands’ five-band bill puts their own electro-soul alongside the mash-up funhouse of Javelin, the meaty three-piece punk of Double Dagger, the dance music of Pictureplane and the zany EAR PWR at The Berkeley Cafe on Thursday, Sept. 9. Caitlin Cary recruited some of her favorite locals and Righteous Babe Records singer-songwriter Erin McKeown for a show at Deep South the Bar Friday, Sept. 10.


ARTIST-AND-AUTHOR SERIES: Through the length of the festival, Hopscotch Music Festival will present free discussions between musicians and authors at the Raleigh City Museum. For instance, when Public Enemy performs in Raleigh City Plaza on Saturday, Sept. 11, Christopher R. Weingarten—music critic for The Village Voice and Rolling Stone and the author of a new book about Public Enemy’s It Takes a Nation of Millions to Hold Us Back—will join several special guests to talk about that album and its legacy. More events will be announced in the next several months.


POSTER SERIES: Several North Carolina artists, including Skillet Gilmore, Kristin Matwiczyk, Scott Nurkin and Chris Williams, will design limited-edition posters for Hopscotch Music Festival. They’ll sell them at the festival and keep all of the proceeds from each sale.

LOCATION
Hopscotch Music Festival is located entirely in downtown Raleigh, meaning all 10 venues are encompassed within a mere 8 block area. The participating venues include: The Berkeley Cafe, Deep South the Bar, Five Star, The Hive at Busy Bee, Kings, Lincoln Theatre, The Pour House, Raleigh City Plaza, Slim’s and Tir Na Nog.

EARLY BUZZ FOR HOPSCOTCH
“ATP New York and Hopscotch Music Festival are slowly unraveling their lineups, shaping up to be can't-miss events.” —Christopher R. Weingarten, music critic for Rolling Stone and The Village Voice, via his Twitter record review site, 1000TimesYes

“It takes real courage to launch anything bold and expensive in an environment like this, and the Independent Weekly is launching something that’s plenty ambitious this fall.” —David Menconi, The News & Observer

“We’re as excited about it as you should be.” —Triangle Music

ABOUT THE INDEPENDENT WEEKLY
Steve Schewel and David Birkhead, both longtime Durham, N.C., residents, dreamt of founding an alternative newspaper in the South during the early ’80s. In 1982, they hired the first editor and did just that, publishing the first issue in April 1983. In the 27 years since that debut, the Independent—or the Indy, as it’s often calledhas helped change the state’s press coverage and political culture by influencing the mainstream media, pressuring political leaders and moving its readers to positive action.


The Independent has also served as a consistent and strident cultural critic in North Carolina for decades, regularly winning awards for its arts and music writing, not to mention its long legacy of award-winning news coverage.


Greg Lowenhagen has worked at the Independent Weekly since 2009; Grayson Currin has served as the paper’s Music Editor since 2006.