Tuesday, June 25, 2013

Photos of Inter Arma, Windhand and Horseskull



I've been in a dry spell lately for seeing music. With the exception of Maryland Deathfest, which I didn't bother to photograph or document, I've only seen two shows since April: Krakenfest and Inter Arma/Earthling at Slim's. MDF was awesome, but I didn't even attempt to get a photo pass, and really I just wanted to go and have fun. I go through these dry spells occasionally, but this one's gone on a little longer than usual, leading me to wonder if it's time to retire altogether. But then I see a show like Friday's triple bill at Slim's with Inter Arma, Richmond occult doom outfit Windhand and Raleigh's impressive Horseskull, and I get excited all over again. 

I'm not too excited about the photos I got that night because it was dark (which I've come to expect), and it was pretty crowded, especially for Windhand. That's great for the bands, not so great for my shots. I actually think I got better Instagram photos than camera photos (btw, you can follow me here, where you'll see a few MDF photos, as well as lots of pics of my dog and my boyfriend). 


I've said before that Inter Arma has released the best album of the year. Every time I see them, they seem to play a different set, and get more and more fierce. Windhand, who released a really strong split with Cough earlier this year, was particularly crushing. There was some issue with the vocals in the PA, which was bad for both Inter Arma and Horseskull, but actually kind of worked for Windhand. I love Dorthia Cottrell's voice, but being so low in the mix gave it a super ghostly sound. But I certainly wouldn't recommend that for every show. It was my first time seeing Horseskull, and I liked their combination of classic doom and Southern rock. I especially liked the song that was about "bad women and bad drugs." If someone wants to tell me the name of that song I would appreciate it. Looking forward to seeing them again. 

Some other upcoming shows I'm planning to see: the metal cookout at Maywood on July 6, then Ramming Speed and Valient Thorr at Kings that night,  Hardcore Hank's birthday bash in Wilmington; the Gwar-b-cue in Richmond (maybe on this one); KEN Mode and Inter Arma at Local 506; Iron Maiden at Walnut Creek (I don't remember what it's actually called now). Debating Hawkwind in DC on Oct. 12. And, not metal at all, I will probably go see Woody Pines at Local 506






Tuesday, May 14, 2013

A few photos from Krakenfest







On Saturday I stopped by Krakenfest (at the Kraken on Hwy. 54 west of Carrboro) for a couple of hours, and got to see Crusades from Wilmington (which included Jason Shi from ASG) and Meek is Murder from Brooklyn. Here are a few photos from that show. My next big metal adventure will be MDF over Memorial Day weekend. I'll probably just stick with tweeting iPhone photos over the weekend. If anyone out there is planning to be there, tweet to me @mannsworld. Personally I'm most looking forward to seeing Carcass and The Obsessed. 


Tuesday, May 07, 2013

A few words with Uncle Acid


This past weekend I took a solo vacation to one of my favorite spots in the North Carolina mountains, Little Switzerland. Getting to Little Switzerland requires driving up a road that's not for the faint of heart, and once you get there, the primary activity is relaxing and enjoying the spectacular view. I put on "Mind Control," the deliciously evil new release from Uncle Acid & the Deadbeats, as I began my slog up the mountain, and spent the misty Sunday sitting by a roaring fire in an empty lodge and writing a review of it for About.com Heavy Metal. I'll let you wait to read what I had to say about the release (hint, I liked it a lot). In the meantime, I am very pleased to present the results of an email interview with Uncle Acid himself. Thanks to Freeman Promotions for facilitation, and Uncle Acid for the time and insight.



Who is answering these questions? 
You can call me K.R. Starrs.

How was Roadburn? From the videos I’ve seen, it looks like you had great crowd response and put on a killer show. I admit I was a little surprised that you came out basically wearing street clothes. Since I didn’t know what to expect, I really thought you’d have a bit more of a glam aspect to the show.

Roadburn was great. It was a huge honor to be able to play there and especially with electric wizard and the pretty things on the bill. To be honest it wasn't our best performance, but we really enjoyed it. I think some people expect us to come on in masks or have some stupid gimmick. From day one it's always been about letting the music do the talking. That's one of the reasons for the anonymity. There's no band image. Pink Floyd had a similar idea. If we were to come out in costumes or some 'glam' shit, all of a sudden the musicians become the center of attention rather than the music.

Editor's note -- Several videos of the band's Roadburn appearance are available online. Here's video of Valley of the Dolls, my personal favorite song on "Mind Control."

How carefully cultivated is your anonymity? With more attention, and with some clear promo photos now being distributed, you’re going to start being recognized more, and names are going to be put to your faces. Is this something you’re ready for? 

I don't like my picture taken because to me, has nothing to do with the music we're making. It's like going to watch a film and having the director put a picture of himself up at the end of the film! "Oh look at me!! I did this!". Fuck off, no one cares. Now obviously its different because we're signed and certain things are expected. If someone is good to you, its only right that you're good to them back. Thats how it works. The balance of the universe. So, when Rise Above supports us in letting us do whatever we want musically, then its only right that I help them promote our music and sell copies by getting a few pictures taken.

I understand “Mind Control” is, like “Blood Lust,” also a concept album. But whereas “Blood Lust” had a real campy, grindhouse quality to it, “Mind Control” is much darker, with overt allusions to the Manson Family. Can you tell us about the concept? What is it about this early occult imagery and sound that you find so compelling? 

Its about a man who thinks he is God, starting a death cult out in the desert. He manipulates his followers and feeds them with drugs and hate before sending them off to kill. A lot of it is to do with, obviously mind control, but also the idea of Abraxas; light and darkness or good and evil in the same act.

 Where is Mt. Abraxas, and what does it take to reach the summit? 
 It's in your mind. Only fools are easily lead to its summit.

 From the pictures we’ve seen of you, you look pretty young. Can you tell me how old you are, and give me some perspective on how your musical influences have evolved? I assume you haven’t always been obsessed with Black Sabbath and the early ‘70s. 

I have all kinds of influences from Simon And Garfunkel to Electric Wizard! I've been obsessed with Sabbath since I was about 16 and have always enjoyed 70s rock music. It was the decade when rock music was done correctly. It's a classic sound, like a Fender valve amp from the 50's. There's no need to improve upon it's design. They tried adding synths to rock music in the 80s and rap elements in the 90's. Fuck knows what people are adding to it today to try and 'improve' and modernize it. It doesn't need it. We're just carrying on the classic sound.

 How solid is the band lineup now?
 Very solid. This is the most solid it's ever been actually.

The band is from Cambridge, which was of course home to Syd Barrett. What influence did he have on your music? Did you ever see him around town? 
We love Pink Floyd. I love all eras of their music and obviously Syd is a big influence. I was always on the lookout for him. I knew where he lived and what he looked like but I would never intrude or go actively searching. I finally saw him ride past me on his bike one day and that was it.

 If you could interview anyone, who would it be, and what would you ask them? 
 Charles Manson. I'd ask him for his thoughts on Neil Young's Revolution Blues.

 Any words on the death of Slayer’s Jeff Hanneman? 
 Obviously very sad. Slayer were a band I loved when I was growing up. To me Reign In Blood is still the greatest thrash album of all time. Hanneman wrote some great, dark lyrics and music.

 It looks like you have a few festival shows lined up, but no tours. When can we expect to see Uncle Acid & the Deadbeats in the US? 
Who knows. Certainly not this year. We'll see how it goes. We're just easing into playing live again with these festival dates, but maybe next year we'll venture further afield. 

Finally, a friend of mine wants to know what you thought of the ‘70s remake of “King Kong.” 
 I've never seen it! It's probably better than that CGI garbage they did a few years ago!



Mind Control will be released in the U.S. May 14 on Metal Blade Records. 
Uncle Acid & the Deadbeats on Facebook

Monday, February 25, 2013

A little update

I have an article on Inter Arma out now in the latest edition of Decibel -- the one with Clutch on the cover. Unfortunately Decibel doesn't post many of their articles online, so you'll have to buy the magazine to read it.

I enjoyed writing this article. Drummer T.J. Childers was fun to speak to, and I really can't say enough about "Sky Burial," which is out March 19 on Relapse. It's early in the year, but I genuinely think "Sky Burial" will end up being one of the top, if not the top, metal albums of the year. Buy it as soon as it's out.

Monday, February 04, 2013

Bull City Metal Fest, night 2



(Across Tundras)


So much going on; too little time to blog. Dawnbringer was amazing at the Bull City Metal Fest, Saturday at Casbah in Durham. Never thought I'd get to see them. So glad I did. Fun seeing Fight Amp and Colossus again. Glad to see Bloodsoaked for the first time, and happy to discover Across Tundras. It was a great evening for sure. See more photos